![]() I dropped the opacity of the adjustment layer down to 46,9%. I opened the Lumetri Color filter and I slightly pushed the Tint (green-magenta) towards magenta, to reduce -not suppress- the overall greenish tinge. That was going to be the overall look of the short. The shot was well exposed and gave me room to craft a darker and more mysterious look.Īfter a few tests I decided to with SL Gold Rush HDR, I used it on an adjustment layer that covered the whole length of the piece. This is our first shot, it has a letterbox of an aspect ratio of 2.28. Here is the color grading breakdwon of two shots. It saves everyone’s time, especially in shorts like this one where the setups are few. When the projects have tight deadlines and low money involved, I like to do my grading in Premiere. I edited and graded the project in the new Adobe Premiere Pro CC 2015. We brought only 3 LED lights with very light stands. It had to be a quick and effective setup, I knew we were going to constantly look out for the police. The main sequences were shot around 10pm. ![]() Therefore we decided to film late in the evening. ![]() We had no money to ask for filming permits though. It’s shot on Canon C300 with manual prime Nikkor Lenses (28mm, 35mm, 50mm) which helped us achieve a great bokeh effect.ĭue to the subject, the film had to take place on the bank opposite the House of Parliament, London. A Justified Conflict is a low budget short film written by Reuben Williams. ![]()
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